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Archive for July, 2008

And all the whores and politicians will look up and shout ‘Save us!’…

Wednesday, July 30th, 2008
…and I’ll look down, and whisper ‘no.’

And thus opens Alan Moore & David Gibbon’s Watchmen. It finally arrived this morning (after two weeks of waiting) and I’m loving it. Grim and brutal, highly stylised and a fascinating read so far.

It’s one of four books I now have on the go. Not bad for someone who’s always been a slow reader.

The majority of my reading time is going towards Philip Pullman’s The Subtle Knife; the sequel to the truly magnificent Northern Lights/The Golden Compass. It seems a lot more complex than Northern Lights, which makes it more diffuicult to get into, but Pullman’s characters and style and the scope and quality of the story as a whole keep me hooked. I would focus more attention towards it, but it’s part of a rather large omnibus edition of His Dark Materials, so it isn’t exactly portable.

So, when out and about, I’m reading Terry Pratchett’s Making Money; the sequel to the truly magnificent Going Postal. Let’s face it, Pratchett’s a safe bet. Making Money picks up right after the events of its predecessor and is so far just as funny, just as intelligent and just as all-round entertaining.

Finally, there’s China Miéville’s Perdido Street Station. I get the feeling I’ve mentioned this one before, but can’t remember where and when. It’s a very difficult one to describe, being a very dark, dour, often depressing and overtly intense, but ultimately fascinating fantasy. It’s a heavy read, which is why I started reading The Subtle Knife in order to break it up, and if I’m honest, I probably won’t be going back to it till I’ve at least finished Pullman’s great opus. Still, it’s inventive and original, with writing of a very high standard, and I know one or two of you out there would get a kick out of it.

I’m now off to do some shopping…

Old Men on the Corner (creeping-out the kids)

Monday, July 28th, 2008
So, New Kids on the Block are back.

I’ll just leave you to digest that for a moment…

Done?

Hollywood’s current love of the reboot is understandable, given the success of the franchises that have done it, but the pop world has so far failed to repeat that success. Okay, so Take That managed a sell-out tour and chart-topping album of new stuff (which was shit), but everyone else who’s tried recently has bombed. The Spice Girls, All Saints, Boyzone and the Backstreet Boys all returned to the scene with a minor blip of excitement from their now far post-pubescent fans, before quietly sinking back into the pit they’d dragged themselves from.

I get that has-beens must hanker after recapturing the old magic, and it isn’t a huge surprise that four of the five would be keen on the idea of reforming, having done sweet fanny-adams in the past two decades. What baffles me is the return of Donnie Whalberg.

Shortly after splitting from the rest of the ‘Kids’, Whalberg became an actor with starring roles in a couple of films and a few successful series (including a fantastic turn in Band of Brothers). Whatever possessed him to agree to this god-awful heap of dog excrement…

…is beyond me.

I’ve little doubt that, on the evidence of the above, this will be another short-lived stumble back into the limelight before the world can return to being the happier place it was when they first split, but we must now live under the umbrella of fear that Donnie’s brother Marky-Mark might start reminiscing about the good ol’ days with the Funky Bunch.

Saints preserve us!

The Night is Darkest Before the Dawn

Monday, July 28th, 2008
And it seems, when that dawn is 30 days away, the night is very dark!

Yes, another day, another comic-book adaptation; this time, 30 Days of Night. Josh Hartnet (who I’ve, till now, hated in everything he’s been in except Black Hawk Down) is the sheriff of a sleepy little town in the far, frozen north that goes 30 days without sunshine. One dusk, a bunch of particularly vicious vampires roll into town and make a particularly big mess of the locals.

Continuing with Hollywood’s new-found love of holding no barrs, the story-telling is kept very minimalist in favour of showing the gruesome vamps doing gruesome stuff and looking decidedly gruesome (black eyes, pale skin, long, sharp nails and a full set of very sharp teeth, covered in blood both fresh and stale throughout).

If anything, the story-telling is a little too minimalist. For example, we’re never told how a nine year-old girl manages to survive almost a month in a frozen town all on her lonesome, with nothing but hungry monsters for company. Though I appreciate the idea of cutting through the crap and getting straight to fun stuff, the side-effect is certain scenes coming across as random and/or silly.

In fact, the plot movement is incredibly jumpy, with the first 20 or 30 minutes setting things up over the course of a single day, before jumping to a week into the ordeal then, without warning, 29 days.

It’s also a shame the vampires aren’t developed further. For all their brutality, the head of the pack is a fan of making speeches (in some undisclosed language) and everything he says and does seems to hint at some deeper story that is never told.

On the other hand, the story-telling mechanic does prevent a lot of the usual horror-movie clichés (or, at least, sweeps them aside before they wrench your gut too much) and it also helps keep the pace up, despite the number of quieter scenes, in place to crank up the tension.

All-in-all, despite its patchiness, it’s a lot of fun, with some great effects and set-pieces and masses of gore, as well as solid performances from the leads (Hartnet and the head vamp in particular).

What’s Not to Love?

Saturday, July 26th, 2008
Robert Rodriguez directing Rose McGowan in a chain-mail bikini, swinging a sword. Yes please…

Warning: This Review Contains Gushing

Friday, July 25th, 2008
How to sum up The Dark Knight

I’ll start with the negatives. Christian Bale’s growling is a bit odd and Heath Ledger’s performance makes the tragedy of his death all the more sour, as we’ll never get to see it again.

I’m now out of negatives.

My heart pounded, my breath caught in my throat and at one point I even jumped! I never jump, which just goes to highlight the intensity of the film.

And it is intense. There’s been a trend in Hollywood over the past year for film-makers to avoid pulling-punches, and Goyer and the Nolans (that’s Jonathan and Christopher, not the 70’s girl-group) are no exception.

Another Hollywood trend in recent years, when it comes to the big franchises, has been to make a hugely successful, entertaining and innovative first film, and then go nuts with the sequel, cramming as much in as possible and ending up with something convoluted and silly. With a new suit, new vehicle, new technology, two new major villains, a ton of grand set-pieces and even some globe-trotting, it would have been easy for The Dark Knight to go the same way, but the whole thing is put together masterfully.

In fact, the writing is some of the best I’ve seen in a very long time. There are plot and character developments handled better in these two and a half hours than I’ve seen in an entire franchise. Not a single character is wasted and the innovation surrounding The Joker’s motivations in particular is inspiring.

The cast, too, are all on top form. Of course, Bale doesn’t seem to have any level other than top form and the rest of the returning cast all have their roles expanded and are all more than up to the task. Indeed, it’s a good thing Katie Holmes bowed out of playing Rachel Dawes again, because there is no way she’d have been up for the type of performance required. Maggie Gyllenhaal’s Rachel was slyer, wittier, more intelligent, more intense and more passionate than Holmes could’ve managed.

As for the other newbies; I was very impressed with Aaron Eckhart. To date, the only thing I can remember seeing him in is The Core, in which he played the standard disaster movie hero, but he very much shows his acting chops as Harvey Dent who, on the surface, comes across as little more than an incorruptible do-gooder, but has layers to his personality ***POSSIBLE SPOILER ALERT***even before the inevitable tragedy of his tranformation***POSSIBLE SPOILER ALERT OVER***

But, let’s face it, it’s Heath Ledger who steals the show. It’s an understatement to say I was sceptical when I heard he’d been cast as The Joker. I knew him as the Antipodean, blond pretty-boy from Casanova and A Knight’s Tale. The Joker? And a Joker in a darker, grittier Batman universe? Are you mad?!

The perfect blend of twisted, crazy, savage and nutty. In the blink of an eye he can go from hilarious to horrific to unerringly calm and coherent. His physical, vocal and emotional performances perfectly tailored to the character.

Mad?

No.

Inspired.

It’s said that rumours of a posthumous Oscar nomination were a little hasty, but I struggle to see how anyone can possibly top that performance.

The bottom line is, believe the hype. This is the best ever Batman film, one of the best Batman stories ever told, the best film of the year so far and probably one of my favourite films of all time.

Pass? Pfft!

Thursday, July 24th, 2008
I got the official results for my college course today. Gloucestershire required passes (40%) across the board to get onto the Creative Writing course:
Psychology – Merit (57%)
English Literature – Credit (67%)
English Language – Distinction (71%)
The latter two I already knew (at least, I knew them as preliminary results), but I wasn’t so sure about Psychology. I was pretty sure I’d passed, and thought just maybe I might’ve edged a Merit, so it’s good to see I actually got a very comfortable Merit. I’ve no idea how; I only completed half of the exam…

This afternoon I’m celebrating by going to see The Dark Knight, then possibly taking myself out for a drink.

Doctor Horrible

Saturday, July 19th, 2008

Over at Vox, Sarai made a post about a new Joss Whedon project that she’d never heard of.

Neither had I.

Went to the link: http://www.drhorrible.com/

Loved every minute :D

I then read the letter written by Whedon about the poject and a particular detail caught my eye:

ONE WEEK ONLY! AN INTERNET MINISERIES EVENT!

“Dr. Horrible’s Sing-Along Blog” will be streamed, LIVE (that part’s not true), FREE (sadly, that part is) right on Drhorrible.com, in mid-July. Specifically:

ACT ONE (Wheee!) will go up Tuesday July 15th.

ACT TWO (OMG!) will go up Thursday July 17th.

ACT THREE (Denouement!) will go up Saturday July 19th.

All acts will stay up until midnight Sunday July 20th. Then they will vanish into the night, like a phantom (but not THE Phantom – that’s still playing. Like, everywhere.)

That’s right, people, the clock is ticking, so take 45 minutes out of your day and go watch the genius that is this: http://www.drhorrible.com/

This sentence is extraneous and I’m really disappointed in you for reading it when you should have already clicked the link and be enjoyng the show. GO!!

Packing Up

Saturday, July 19th, 2008

And, yet again, our beloved efx returns!

I know there’ll be people uming and ahing over whether or not they’ll be going back – some of gotten comfortable where they are; others of lost faith in the old place – but I shall be among the returnees. Blogger and Vox might have the odd few advantages over each other, but I missed the Control Panel.

That’s not to say I won’t be keeping this place up and running. Given efx’s tentative nature, it’s always good to have a back-up…

Feed Me

Saturday, July 19th, 2008
As highlightied by Twisty in a conversation yesterday, the one issue I have with blogger is the Blog List. Nice idea as it is, it’s annoying that you only get the latest post, which, if you subscribe to anyone who has a spell of making several in a few hours (as I did the other day), you can miss alot.

And so, I’ve scrapped the bog list in favour of the RSS feeds for each of the blogs I read. It isn’t as neat and tidy as the Blog List, but at least I can keep better track of people :)

Incidentally, if any of you did miss the Watchmen trailer posted below, I suggest you give it a look. I’m rather excited…*buzz*

Also…

Thursday, July 17th, 2008

Just had to do a search for the song in the aforementioned trailer. I knew it was Smashing Pumpkins (what kind of music lover would I be if I couldn’t recognise that voice) and I knew I’d heard the track before, but I couldn’t quite place it. Oddly enough, it turns out it was from the soundtrack of another comic-book movie, though I use the term loosly *ahem*Batman & Robin*ahem*

As set to yet another fantastic Advent Children vid, this is The Beginning is the End is the Beginning:

***EDIT***

***EDIT 2***

Decided I also wanted to add the prequel to the above track, The End is the Beginning is the End, as it is also genius (and proof that, with the right music and careful selection of clips, any film can be made to look appealing):

Oh, and I’ve now purchased said book :D